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・ Jean Rénald Clérismé
・ Jean Réville
・ Jean S. MacLeod
・ Jean Sabbagh
・ Jean Sablon
・ Jean Sagal
・ Jean Sagbo
・ Jean Sage
・ Jean Saint Malo
・ Jean Saint-Fort Paillard
・ Jean Saint-Josse
・ Jean Sainte-Fare Garnot
・ Jean Sainteny
・ Jean Sala Breitenstein
・ Jean Salamé
Jean Salmon Macrin
・ Jean Salumu
・ Jean Samuel Pauly
・ Jean Sandherr
・ Jean Santeuil
・ Jean Sarazin
・ Jean Sarkozy
・ Jean Sarrailh
・ Jean Sarrazin
・ Jean Sassi
・ Jean Sasson
・ Jean Satterthwaite Faust
・ Jean Saubert
・ Jean Saudé
・ Jean Saunders


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Jean Salmon Macrin : ウィキペディア英語版
Jean Salmon Macrin

Jean Salmon Macrin (1490 – 20 October 1557) was a Neo-Latin poet of French nationality. His poetry sold massively well, and was thought of as quite influential during his lifetime; however his fame did not live on, and his poetry was never republished after the 16th century.
Macrin was born in Loudun, and retained an intimate attachment to the countryside of his youth throughout his life. Patriotism and nostalgia for his 'patria' feature as prominent themes in his poetry. His father supported him in his poetic vocation, and in his teens he was sent to Paris to study under Jacques Lefèvre d'Etaples. There he mastered Greek and Latin, and honed his poetic art alongside Quintianus Stoa. When his studies ended, he became secretary to Antoine Bohier, and later entered Court life as tutor to the sons of René de Savoie. After the death of the latter, Macrin remained in the service of his son Honorat. The poet found that Court life was not well-suited to his temperament, and he composed little during this period. It was his marriage to Guillone Boursault ('Gelonis') that reignited his passion for poetry, and his two most famous works (the 'Epithalamiorum liber' of 1528–1531 and the 'Carminum libri quattuor' of 1530) contained many poems dedicated to her. Macrin's poetry met with great success in his later years, and he enjoyed the favour of the king, Francis I.
Macrin boasted of having been the first to introduce Catullus and Horace into French poetry. His principal Neo-Latin models were the Italians Pontano, Marullus, Poliziano and Sannazaro. He was widely known as the French Horace, and his works had a great influence on vernacular poetry, especially the Pléiade.
Du Bellay, in his 'Amores Faustinae', mentions Macrin in his list of great contemporary love poets, alongside Pontano, Sannazaro, Marullus, Petrarch, Bèze, Tyard and Baïf.



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